The recent post re: Banda Plástica De Tepetlixpa Mex. reminded me of another wonderful exercise in musical incompetence, the most hapless lounge band I've ever heard..ladies and gentlemen, please welcome...The Note-Ables!
Maybe they should have been called the Note-Unables: sporting off-beat (in the original sense) drumming, mangled lyrics, goofy vocals, the occasional sick trumpet, and guitars so out-of-tune they're practically "No Wave," one has to wonder if these guys were deaf. I originally featured one song, their remarkable demolition of Chuck Berry's "Roll Over Beethoven" on my collection of private-press lounge wonders "I'll Take Las Vegas," and tho it's still the, uh, "highlight" of this album, there's plenty more goodies here: Neil Sedaka/Elton John's "Bad Blood," Glen Campbell's "Rhinestone Cowboy," and lots of Beatles. They have no feel for rock'n'roll, so naturally, there's plenty of it. Only the last couple songs, standards where horn and accordion take over, do they sound like they're in comfortable (tho no less incompetent) territory.
But you gotta love these guys - they sound like they're having a great time. Everyone's drunk and having a party, and the accordion is the coolest, most rock 'n' roll instrument in their world. Out-of-control naive exuberant joy is infinitely superior to such dull standards as technical skill and recording quality, right?
The Note-Ables: "Flipside" [USA, 1974]
1. Bad Blood
2. I Saw Her Standing There
3. She Loves You
4. Loves Not Always Kind
5. Sun Flower
6. Rhinestone Cowboy
7. Roll Over Beethoven
8. Way Down
9. Lost And Found
10. Can't Buy Me Love
11. So What's New
12. Bye Bye Blues - Baby Face
Tracks 4, 9, and 11 are originals.
Sadly, no biographical info out there. Have no idea where they're from.
Don't remember where I got this, but this isn't my copy - I believe the late, great Bellybongo site first posted it. So thanks to whoever!
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